Here’s my take on the “Naked!” edition of Sketchwar.
FADE IN:
INT. OFFICE DOOR – DAY
A sign on a door reads, “Stan Wellnitz, TSA Administrator.”
CONNOR (V.O.)
I just can’t do it, boss.
INT. OFFICE – DAY
WELLNITZ (50s) sits at his desk in a shabby little office.
CONNOR (20s, haunted) sits across from him.
WELLNITZ
Connor, this is silly. You’re the best backscatter analyst this airport has.
CONNOR
Too much nakedness. Too much.
WELLNITZ
Yes, when somebody steps into the airport scanning machine, you’re the guy that sees them more-or-less naked. So? You’re a big boy, Connor. It’s fine.
CONNOR
Maybe if I lived in France, or I dunno, Sweden, it would be fine. But we’re in America.
Off of Wellnitz’s puzzled look --
CONNOR
There are three million morbidly-obese people in this country, boss.
(haunted whisper)
I think I’ve seen all of them.
WELLNITZ
Your problem is... the nudity?
CONNOR
(to himself)
So many skin diseases.
WELLNITZ
Well, just suck it up for eight hours a day, and --
CONNOR
This has ruined nudity for me, forever. I see naked people everywhere.
Wellnitz gets up from his desk.
WELLNITZ
What, so you can tell what I’m carrying now?
CONNOR
Keys, wallet, and fifty-seven cents in loose change.
This stuns Wellnitz for a moment, then --
WELLNITZ
You’re seeing me naked?
Connor stares somewhere far away.
CONNOR
Right now, I’m seeing a naked, four-hundred pound man with a
colostomy bag and a raging erection.
WELLNITZ
But I’m not four hundred pounds --
CONNOR
I saw that image three months ago.
(haunted whisper)
It never leaves.
WELLNITZ
Connor, we started using software to distort the passengers’ faces and... intimate areas. So I think --
CONNOR
(shudders)
I know. They’re distorted freaks! They’re showing up in my nightmares.
WELLNITZ
Alright, fine, Connor.
CONNOR
It’s like David Cronenberg is directing my dreams.
Offscreen, the door opens.
RIKU
Hi guys!
Connor turns to see --
A horrible vision
A short, squat man, but black and white, naked, folds of fat everywhere, patchy skin, the face stretched out into a horrid rictus, the crotch eerily smoothed out.
back on connor
Connor yelps, cowers in his seat, rubs his eyes, and now we cut back to a...
normal shot of the office
We see that it’s RIKU (20s), the same short, squat guy, but fully clothed.
He’s still incredibly creepy, but he no longer looks like something out of Ringu.
RIKU
What?
WELLNITZ
Riku here can take on your responsibilities, Connor.
RIKU
Sweet!
Riku gets uncomfortably close to Connor’s ear.
RIKU
(whispers)
I want to see the naked people.
WELLNITZ
That’s good for you, right, Connor?
CONNOR
Yes. But --
Riku interrupts with a creepy noise.
CONNOR
-- but maybe not the best for passengers. Y’know what? I’ll... I’ll stick this out a while longer.
WELLNITZ
Really?
CONNOR
Yeah, you don’t need to transfer Riku.
Connor exits the office like a man walking up to the gallows.
Beat.
RIKU
You wouldn’t really put me on backscatter duty, would you?
WELLNITZ
Hell no. You’re just here to scare Connor back into line.
INT. OFFICE DOOR – DAY
Same as before.
RIKU (V.O.)
Whew. Thank god. I’m creepy, but even I’ve got limits.
FADE OUT.